Paris, juin 2025, rue de Rivoli, rue Saint-Antoine, avenue de l’Opéra.

The weather has been nice in Paris for a while now, and I wanted to shoot some color film (Kodak Portra 160) to break the routine. I don’t even remember when I started shooting my street photos in black and white, it’s been so long. I walked around Paris for a long time, with a road that allows me to shoot in both directions while the sun is on the side and that maximizes my chances of creating interesting situations.

A few photos taken between February and May 2025 in the streets of Paris. The return of sunny days has motivated all the street photographers in the capital and it is no surprise that I have been walking around Paris for long, very long walks. There are photos here taken during Paris Fashion Week, photos taken in the Paris metro, during demonstrations, but also during my daily commute to the office. Lately I have been using a lot of Kodak TriX 400 film. A film that I knew well when I started out and that I have been using less in recent years, in favor of the Kodak Tmax 100. Of course, everything was shot with my trusty Leica M6 with which we will soon celebrate our 10 years of living together.

I just got two new prints for my PFW series. The photos were taken at the same event, Hundercover in 2024. The prints were made by Picto Paris, I think the rendering is perfect. The whole series is made in silver print on Ilford RC satin paper. The camera remains the same, Leica M6 with a 35mm Summicron. I don’t think I’ll ever change it, it’s the best combination. For the films there is a little novelty, I shot with Ilford Pan 100 films. The result is good but I still prefer the Tmax 100 and Ilford Delta 100. To see the rest of the series it’s here https://www.gregoirehuret.com/work

The Phoblographer Featured My Work  

It’s always fascinating when someone else sees your work and captures the essence of your journey. Recently, The Phoblographer did just that, sharing an incredible piece about my photography and how it’s evolved over the years. Reading through their post, I was struck by how well they articulated my thoughts, motivations, and approach to capturing life through my lens.

They began by referencing something I often feel but never quite put into words—how cities have distinct personalities, almost like human beings. New York, for example, played a pivotal role in my artistic growth. Back in 2013, I visited NYC with my dad’s Rollei 35 SE in hand, and it was an unforgettable experience. That trip changed how I saw photography—and myself. As I shared with The Phoblographer, “My first trip to NYC was an artistic revelation. It was like my hidden creative needs surfaced for good.”

Returning to Paris after that trip, I began to approach my photography with a newfound purpose. In the beginning, I was very much a street photographer, focused on capturing candid moments without asking for permission. But over time, I realized that sometimes, taking a step back and engaging with my subjects could create even more meaningful images. As I told them, my goal has always been to “be a witness” and document the authenticity of life.

One of the highlights of my work has been documenting Paris Fashion Week over the past five years. It’s such a vibrant event, filled with a mix of personalities—celebrities, fashion enthusiasts, students, and everyday people. What I love is that my approach allows me to blur the lines between stars and regular attendees. My photos reveal the beauty and chaos of the event, without distractions or artifice.

The Phoblographer also highlighted my love for film photography, which has been central to my artistic process. I’ve moved from using my Rollei to my Leica M6, paired with black-and-white films like Kodak Tmax and Ilford Delta. These choices help me keep my focus on the story I want to tell. From shooting to developing the film in my kitchen, every step feels personal and deliberate.

One thing I’m particularly proud of is my zine, Paname Paper. It’s a printed collection of my work during Paris Fashion Week, styled like a newspaper. This project reflects my thoughts on the fast-paced, ever-changing nature of fashion, but also its role in creating timeless moments. Sometimes, I even take the prints and paste them on walls around Paris, turning the city into an open-air gallery.

The post also touched on something important to me: authenticity in photography. As AI tools seep into creative fields, I stand by the belief that real moments can’t be manufactured. As I said in the piece, “The magic of everyday life requires being there; it cannot be invented.”

It’s incredibly fulfilling to see my work recognized by platforms like The Phoblographer. They captured the spirit of what I strive to do with my photography—showing that life, in all its spontaneity and imperfection, is a story worth telling.

If you’d like to see more of my work, check out my website or follow me on Instagram @gregoire.huret.

Link : https://www.thephoblographer.com/2024/10/28/how-nyc-changed-everything-for-film-photographer-gregoire-huret-in-paris/

Awesome guy at Paris, Gare de Lyon, 2024

Leica M6 & Kodak Portra 160 (turned into BW)

© https://www.instagram.com/gregoire.huret/

© https://www.gregoirehuret.com/