The Phoblographer Featured My Work

Parisian photographer Grégoire Huret shares his artistic journey, from NYC inspiration to Paris Fashion Week, blending street and fashion photography with 35mm film.

The Phoblographer Featured My Work  

It’s always fascinating when someone else sees your work and captures the essence of your journey. Recently, The Phoblographer did just that, sharing an incredible piece about my photography and how it’s evolved over the years. Reading through their post, I was struck by how well they articulated my thoughts, motivations, and approach to capturing life through my lens.

They began by referencing something I often feel but never quite put into words—how cities have distinct personalities, almost like human beings. New York, for example, played a pivotal role in my artistic growth. Back in 2013, I visited NYC with my dad’s Rollei 35 SE in hand, and it was an unforgettable experience. That trip changed how I saw photography—and myself. As I shared with The Phoblographer, “My first trip to NYC was an artistic revelation. It was like my hidden creative needs surfaced for good.”

Returning to Paris after that trip, I began to approach my photography with a newfound purpose. In the beginning, I was very much a street photographer, focused on capturing candid moments without asking for permission. But over time, I realized that sometimes, taking a step back and engaging with my subjects could create even more meaningful images. As I told them, my goal has always been to “be a witness” and document the authenticity of life.

One of the highlights of my work has been documenting Paris Fashion Week over the past five years. It’s such a vibrant event, filled with a mix of personalities—celebrities, fashion enthusiasts, students, and everyday people. What I love is that my approach allows me to blur the lines between stars and regular attendees. My photos reveal the beauty and chaos of the event, without distractions or artifice.

The Phoblographer also highlighted my love for film photography, which has been central to my artistic process. I’ve moved from using my Rollei to my Leica M6, paired with black-and-white films like Kodak Tmax and Ilford Delta. These choices help me keep my focus on the story I want to tell. From shooting to developing the film in my kitchen, every step feels personal and deliberate.

One thing I’m particularly proud of is my zine, Paname Paper. It’s a printed collection of my work during Paris Fashion Week, styled like a newspaper. This project reflects my thoughts on the fast-paced, ever-changing nature of fashion, but also its role in creating timeless moments. Sometimes, I even take the prints and paste them on walls around Paris, turning the city into an open-air gallery.

The post also touched on something important to me: authenticity in photography. As AI tools seep into creative fields, I stand by the belief that real moments can’t be manufactured. As I said in the piece, “The magic of everyday life requires being there; it cannot be invented.”

It’s incredibly fulfilling to see my work recognized by platforms like The Phoblographer. They captured the spirit of what I strive to do with my photography—showing that life, in all its spontaneity and imperfection, is a story worth telling.

If you’d like to see more of my work, check out my website or follow me on Instagram @gregoire.huret.


Link : https://www.thephoblographer.com/2024/10/28/how-nyc-changed-everything-for-film-photographer-gregoire-huret-in-paris/


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